For when you live in one of the desert countries of the Sahara, and yet you cannot get to the desert, you take to the sky. Morocco, M'Hamid El Ghizlane, aka the doorway to the Sahara.
And for when you cannot hear | see | touch | the very essence of why you uproot yourself and replant your feet in the dust of Mali, you fly like the "saw saw" bird and set up camp wherever you find the essence.
Tinariwen = essence.
Most members of Tinariwen and I live in Mali, and yet, I was able to see them more often when I lived in the U.S. It took me flying to Morocco to finally see them on the African continent, and in the Sahara
It's the quiet moments off stage, the in-betweens -- the laughter, the ad-lib riffs, cutting apples, far-away assouf glances, thé versions 1-2-3, dominos games -- that endure in the end.
Morocco is the best place I'd never live.
Sweetness abound, rich in culture, phenomenal crafts, out-of-this-world architecture, stupendous landscapes only nature can serve up, the food alone could keep you around for decades, it's clean and for the most part environmental. The one thing it may be short on is grit, something I've come to use as daily teacher in my Sahelian life.
My Tinariwen story, and hence tectonic shift in life, started when I first heard Abdallah's song Chet Boghassa. I've never heard them play it in concert, but Abdallah plays it for me, along with various unique renditions of Bob Dylan tunes, in the in-between moments.
Within the harmonious whole that makes up Tinariwen, each has their own style. Abdallah, aka Catastrophe, is more the singer-songwriter acoustic, and that VOICE. It is as if the desert itself is singing, granular and undulating, breathtaking and soft all at once, like dunes untouched, known only by silence and sky.
Medicinal in its melody, it ails the soul of all ills.
© 2026 Saharan Susurrus